Featured
‘the work has an extraordinary power to move […] echoes the plea for a shared humanity in John Donne’s Meditation XVII’
Martin Suckling establishes himself as the revelation among this group, with his ghostly Meditation (after Donne)
‘one of the finest new settings of contemporary poetry by a British composer that I have heard for quite some time’
‘strikingly original […] mesmerising […] the music edges more and more towards surreal wonderment’
‘★★★★★ beautifully played and recorded […] grips the attention […] varied and impressive’