Hello Sara – I thought it might be useful for you to see some images of my sketches, in terms of getting an idea about the types of energies in my composing? I think it’s really a very dynamic process, but it’s not hugely clear to the outside world I think, unlike playing an instrument where movement is obviously always there.
quite often ends up being superimposed layers or my various inner monologues talking to each other, hence the different colours…
figuring out a bit of a piece called ‘Psalm’ where the three groups are situated all around the performance space, above and behind the audience
Fake folk music…
image of me teaching which I actually really like
Sketch for the opening of a big orchestral piece
the piano part from a set of songs (to Donaghy texts) that I was writing recently